Абай қҰнанбаевтың Әлемі мен шығармашылығына жастардың КӨЗҚарасы


Table 2: A Distribution of words in the poem ‘Winter’



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Table 2: A Distribution of words in the poem ‘Winter’ 
Nouns 
Main Verbs 
Adjectives 
Coat, shoulder, 
snow, 
Powdered, 
hated, 
Broad-shouldered, white- 
beard, winter, frown, plod, feared, brings, 
matches, coated, silvery, grumpy, old, 
fellow, 
harm, blizzard, tosses, starts, fall, act, knit. 
shaggy, beetling, crazy. 
cloud, 
head, 
world,
eyebrows, camel, 
rage,
Yurt, wall etc. 
Nouns 
From the above table, it is obvious that the poem consists mainly of nouns and verbs; the 
nouns being just double the number of the verbs. This shows that it is an object-oriented poem. 
It mainly carries the different objects and images. The nature of the nouns: they are mostly 
concrete - that is, they refer to physical objects however the theme of the poem is not concrete 
however, most of the nouns have negative connotation - and only three of the nouns are abstract 
(frown, harm, and rage). 
Verbs 
The verbs used in the poem also contribute significantly to our understanding of the poem. 
The finite verbs can be clearly depicting human actions. The human-related verbs clearly show 
different reactions of poet towards Winter. 
Adjectives 
The poem is rich in the use of adjectives and adverbs. There are a lot of descriptive adjectives
almost all the adjectives are used simply for a physical description of a old man, they only describe 
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the shape, size or feeling. This again may be complying with the purpose of creating vibrant 
images. 
Conclusion. 
Abai’s poetry achieves its high value because of the very special and unique
 
nature of strategies adopted by him. The most important strategy in his poetry is the 
"representation" of a separate reality from the conventional world. As image-creating elements, 
lexical patterns in Abai’s poem create a series of contexts or immediate situations which are 
conventional to the code. His poem makes both novel and wide use of lexical resources in order 
to enrich the imaginary potential of the text. 
Sources of the poetic dictionary can be very diverse, poets borrow new words from the 
language of philosophy, science, from everyday speech. Among other features characteristic of 
poetic language is the use of a large number of proper names, poeticisms, and neologisms. Some 
poets prefer to contrast different types of vocabulary, for example, philosophical and household 
vocabulary is found in the same environment or, on the contrary, try to stay within a limited 
vocabulary. In any case, the choice of the right words always remains for the poet one of the 
priorities. 
"We cannot understand the aesthetic effect of poetry without recognizing what kind of 
discourse it is, and the nature of its deviance from normal language" (Widdowson, 1984:149). 


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