Қазақ СӘндік қОЛӨнеріндегі түркілік этномәдениет бейнелері

 
 
 
 
 
ІSSN-p 1727-060Х
 
 
ІSSN-e 2664-3162 Túrkologıa, №4(112), 2022 
93
Erzhan AUELBEKOV  
Candidate of Pedagogical Sciences, Associate Professor of the Department of Fine Arts, 
Khoja Akhmet Yassawi International Kazakh-Turkish University, Turkestan, Kazakhstan 
(erzhan.auelbekov@ayu.edu.kz) https://orcid.org/0000-0003-1536-3317 
 
IMAGES OF TURKISH ETHNOCULTURE IN KAZAKH 
DECORATIVE ART 
 
Abstract 
The article examines the essence and content of folk decorative crafts in the system 
of art education, which is implemented in the country on the basis of such programs as 
“Cultural Heritage”, “Spiritual Revival”, “Seven Facets of the Great Steppe”. The 
manifestations of centuries-old Turkic culture in Kazakh decorative crafts are considered in 
detail, its character in the theories of Turkic ethnoculture is analyzed from historical, 
spiritual, artistic points of view. On the basis of the Turkic knowledge, the stylistic, 
symbolic and figurative features of some handicrafts, especially headdresses, such as 
saukele, takiya, and the use of ornaments in them, characterizing the features of the Turkic 
ethnoculture, are analyzed. The similarities of folk crafts of the Kazakh and other Turkic 
peoples in the Turkic ethnoculture are shown, as well as evidence that the development of 
folk crafts is in close connection with the worldview, beliefs, way of life, economy of the 
peoples. National ornaments, symbolic images, motifs in the crafts of the Turkic peoples 
are compared, their semantic features are described as signs of the Turkic ethnoculture. The 
special place of Kazakh crafts in the Turkic ethnoculture as a direct successor of nomadic 
traditions on the land of the Great Steppe is determined, historical, ethnographic and artistic 
scientific explanations are given to them. 

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