Existential representation of love as a feeling of suffering in the poem “Kogda chitala ty muchitelnye stroki …” by A.A. Fet А.Е. Kulumbetova, А.А. Dzhunisova – Doctor of philological sciences, professor, Candidate of philological sciences,
associate professor of M.Auezov South Kazakhstan State University The poem “Kogda chitala ty muchitelnye stroki …” by A.A. Fet has been for the first time studied in system and
complex aspect for revealing the existential representation of love as a feeling of suffering. It is reached through
attention to the system of the contents and the form at each of four text analysis stages, application of the technique of
graphic analysis and graphic symbolism. The innovation of the poet is connected with prevalence in through letters of
figure 1 as a symbol of origin and figure 2 as a symbol of alarm and anxiety in the poem. The poet not only reveals his
feelings, but also pays attention of the beloved to torment of unrequited love. The emphasis is given to Fet's
reminiscential calling with the lines of Pushkin concerning the change of morning and evening dawn and transformation
of it into creative intertextual dispute. The authors in the theme substantiation address to scrupulous analysis of the lexis
of the poem, its sense, intonation of the text endings, to the conflict and figurativeness type, designating in the article
concrete lines of such methods of representation, as existentialism, expressionism, romanticism. It is addressed to
philologists, poem specialists and experts in A. Fet's creative works.
Key words: Four-stages analysis, the system of the contents and the form, the top and the bottom borders of the
chronotope of the present, graphic analysis and graphic symbolism, objective theme, invariant theme, prognostic sense,
gender, style, art method, genre form, elegy genre, genre variety, “order and chaos”, criterion of artistry, reminiscence,
intertextuality.