Сағындықова шынар молдабаевна мұрат мөҢКЕҰлы шығармашылығындағы заман зары
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| ABSTRACT
The nomadic people, wearing the yoke of Bodanism, remember with fond nostalgia the freedom of yesteryear, the customs and traditions that fit only in their nature, and the era of feasts and feasts. At the same time, it is natural for the grieving masses of the country to express their opinion about the situation in their country, the changed nature of the times, the arbitrary actions of the colonizers, the behavior of the new rulers, and the unpleasant behavior of the slaves. If this happy truth is reflected in the literature of the Kazakh people, who open the gates of life with songs and leave the subject with laments, there is no wonder. There was no opportunity to truly appreciate such spiritual values in the period when the mind was affected by the coldness of politics and the freedom of thought and opinion was presented. Even if we evaluate the thoughts and conclusions of the poets of the modern era in Kazakh literature from the point of view of the totality of their views on the period in which they lived, there is a lot to be learned from the legacy of the poets. "Zar Zaman" is a phenomenon in public thought and literature, with a well-known beginning - a source, a development channel, ways of formation, and ends. Zar Zaman songs are a sign that the destiny of the nation, which has been analyzed by colonialism, is at a dead end. "Zar Zaman Zhylary" is not a literary name invented suddenly. This is a concept introduced by scientists who are considered pioneers not only of Kazakh literature, but also of our nation's mind. Contemporary poetry is not only a research object of literary studies, but this important topic as a current of social, public and political thought is not left out of the researches of historians and philosophers. "Poets of modern times" by M. Auezov's definition later became an indispensable phrase when their heritage was excluded from society. The grief of the poets, who were saddened by the lack of existence and longed for the past, were expressed in the concepts of "grief" and "yellow anxiety". In literary studies, the trend of "complaining" was exaggerated, and other values in poetry were overshadowed by it. Until yesterday, prominent representatives of Kazakh literature Dulat Babatayuly, Sh. Kanayuly, M. Monkeuly, Kerderi Abubakir have been evaluated as representatives of the reactionary direction against the direction of enlightened democracy. Lectures were given in thousands of schools and dozens of educational institutions about the poets of the movement, which pulls back not only society, but also literature. That is why the concept of "Zar Zaman" has become an indisputable equivalent of pessimism. The first reason for presenting the works of these poets is that in their poems, they are not satisfied with the present life, but have high hopes for the future, longing for the scenes of Kazakh nomadic life. The poets who sang "Zar Zaman", "Ku Zaman" and "Tar Zaman" with the goals and ideals of the progressive program, which unceasingly dragged the society forward, are well known for their spiritual harmony. Secondly, the poets of the old days rose up against colonialism. In their poems and poems, the words "Russian" and "Kauir" are often used as the names of the invaders who invaded and destroyed the Kazakh steppe. In the poetry of Zar Zaman, the difficult situation of the Kazakh nation, which was depressed by the tyranny of colonialism, is described in detail. Political vigilance did not fail to notice this. Thirdly, apocalyptic (eschatological) themes took place in the works of some of them. The trend of not accepting the changes happening around, associating them with the coming of the end of time, and turning to religious mysticism was also mentioned in the account of the burden in literature. Another thing that has been noticed in the long-term tradition of studying and evaluating the poetry of the Zar Zaman period is that the artistic values, original expressions and field thoughts of these poets - Zhyraus are ignored from the point of view of political point of view. was evaluated by the size of the scales. Despite the strict ideological difficulties, there were times when the works of Dulat, Shortanbay, Murat, Abubakir, famous representatives of the mentioned era, were published during the Soviet period. Even at the time when these celebrations were banned, writers and scientists expressed positive opinions about modern poetry and its representatives. МАЗМҰНЫ
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