IV Discuss the following:
1)
Why did the girl agree to write the letter in the end?
2)
Comment on the phrase "They were too happy to worry about Guy and
Ralph watching them. "
3)
What do you think Grace wrote in her letter?
4)
Why do people like to receive letters? Do you agree that it is easier to
express your feelings in a letter than during a talk? Give your grounds.
5)
Why do you think the art of writing letters is dying nowadays?
V Retell the story on the part of 1) Ray, 2) Grace, 3) Ralph or Guy.
Unit 7
THE BRAMBLE BUSH
Ch. Mergendahl
As Fran Walker, one of the nurses of the Mills Memorial Hospital, was
sitting between rounds behind her duty desk, she often recollected her child-
hood, which would return to her as it had existed in reality – bewildering, lone-
ly, and frustrating.
Her father, Mr. Walker, had owned a small lumber business
1
in Sagamore,
one of Indiana's numerous smaller towns, where Fran had lived in a large frame
house on six acres of unused pasture land
2
. The first Mrs. Walker had died,
when Fran was still a baby, so she did not remember her real mother at all. She
remembered her stepmother, though – small, tight-lipped, thin-faced, extremely
possessive of her new husband and the new house which had suddenly become
her own. Fran had adored her father, tried desperately to please him. And since
he desired nothing more than a good relationship between his daughter and his
20
second wife, she had made endless attempts to win over her new mother. But her
displays of affection had not been returned. Her stepmother had remained con-
stantly jealous, resentful, without the slightest understanding of the small girl's
motives and emotions.
Fran felt herself losing out, slipping away into an inferior position. She
began to exaggerate – often lie – about friends, feelings, grades at school, any-
thing possible to keep herself high in her father's esteem, and at the same time
gain some small bit of admiration from her mother. The exaggerations, though,
had constantly turned back on her, until eventually a disgusted Mrs. Walker had
insisted she be sent away to a nearby summer camp. "They award a badge of
honour there, "she had said," and if you win it – not a single untruth all sum-
mer – then we'll know you've stopped lying and we'll do something very special
for you."
"We'll give you a pony," her father had promised.
Fran wanted the pony. More than the pony, she wanted to prove herself.
After two months of near-painful honesty, she finally won the badge of honour,
and brought it home clutched tight in her fist, hidden in her pocket while she
waited, waited, all the way from the station, all during the tea in the living-room
for the exact proper moment to make her announcement of glorious victory.
"Well?" her mother had said finally. "Well, Fran?"
"Well –", Fran began, with the excitement building higher and higher as
she drew in her breath and thought of exactly how to say it.
"You can't hide it any longer, Fran." Her mother had sighed in hopeless
resignation. "We know you didn't win it, so there's simply no point in lying
about it now."
Fran had closed her mouth. She'd stared at her mother, then stood and
gone out to the yard and looked across the green meadow where the pony was
going to graze
3
. She had taken the green badge from her pocket, fingered it ten-
derly, then buried it beneath a rock in the garden. She had gone back into the
house and said, "No, I didn't win it, " and her mother had said, "Well, at least
you didn't lie this time," and her father had held her while she'd cried and known
finally that there was no further use in trying.
Her father had bought her an Irish setter as a consolation prize.
NOTES:
1
a lumber business – лесопилка;
2
pasture land – пастбище;
3
to graze – пастись.
I Find in the text English equivalents for the following words end
expressions:
вспоминать детство, один из множества городков в штате Индиана,
рубленый дом, с поджатыми губами, имеющая необычайную власть над
21
своим мужем, отчаянно стараться угодить кому-либо, взять верх над кем-
либо, не имея ни малейшего понятия, оставаться злой и ревнивой; чувство-
вала, что проигрывает; завоевать хоть небольшое проявление любви, вы-
ходило ей боком, значок честности, зажатый в кулаке, ждать подходящего
момента, объявить о своей блистательной победе, нет смысла лгать, даль-
нейшие попытки бесполезны.
II Give Russian equivalents for the following words and expres-
sions from the text and use them in the sentences of you own:
adore smb, a good relationship, make endless attempts, display of affec-
tion, exaggerate, keep oneself high in smb's esteem, eventually, stop lying, do
smth special for smb, prove oneself, draw in one's breath, stare at smb, a conso-
lation prize.
III Questions on the text:
1)
Where did Fran Walker spend her childhood?
2)
What can you say about her parents?
3)
Describe Fran's stepmother.
4)
Why did Fran do her best to win her stepmother's affection though she
didn't like the woman?
5)
What was the new mother's attitude towards her stepdaughter?
6)
What was the reason of Fran's exaggerations? What do you think she
said about her friends, school, etc.?
7)
What way out did Fran's stepmother find to make the girl stop lying?
8)
Which phrase in the text proves that it wasn't easy for the girl to win
the badge?
9)
Fran was eager to announce her victory, wasn't she? Prove it by the
text.
10)
It was only once that Fran's stepmother believed her. When? Was it
of any use?
IV Discuss the following:
1)
Give a character sketch of the girl's stepmother.
2)
Analyse relationship between the girl and her stepmother. What pre-
vented them from becoming friends? Do you think stepmother may have be-
come mother for the girl?
3)
Whose side did Fran's father take? Give your grounds.
4)
Why was it so difficult for the girl to announce her victory? Which
words of her stepmother killed all her three-month hopes and expectations?
5)
What did the girl bury beneath a rock in the garden? Was it only the
badge?
6)
Why was Fran's childhood "bewildering, lonely and frustrating"?
V Retell the text on the part of 1) Fran Walker, 2) her stepmother,
3) one of the teachers at the summer camp.
22
Unit 8
THE BEARD
1
G. Clark
I was going by train to London. I didn't have the trouble to take anything
to eat with me and soon was very hungry. I decided to go to the dining-car to
have a meal.
As I was about to seat myself, I saw that the gentleman I was to face wore
a large beard. He was a young man. His beard was full, loose and very black. I
glanced at him uneasily and noted that he was a big pleasant fellow with dark
laughing eyes.
Indeed I could feel his eyes on me as I fumbled with the knives and forks.
It was hard to pull myself together. It is not easy to face a beard. But when I
could escape no longer, I raised my eyes and found the young man's on my face.
"Good evening," I said cheerily.
"Good evening," he replied pleasantly, inserting a big buttered roll within
the bush of his beard. Not even a crumb fell off. He ordered soup. It was a diffi-
cult soup for even the most barefaced of men to eat, but not a drop did he waste
on his whiskers2. He kept his eyes on me in between bites. But I knew he knew
that I was watching his every bite with acute fascination.
"I'm impressed," I said, "with your beard."
"I suspected as much," smiled the young man.
"Is it a wartime device?" I inquired.
"No," said he; "I'm too young to have been in the war. I grew this beard
two years ago."
"It's magnificent," I informed him.
"Thank you," he replied. "As a matter of fact this beard is an experiment
in psychology. I suffered horribly from shyness. I was so shy it amounted to a
phobia. At university I took up psychology and began reading books on psy-
chology3. And one day I came across a chapter on human defence mechanisms,
explaining how so many of us resort to all kinds of tricks to escape from the
world, or from conditions in the world which we find hateful. Well, I just turned
a thing around, I decided to make other people shy of me. So I grew this beard.
The effect was astonishing. I found people, even tough, hard-boiled peo-
ple, were shy of looking in the face. They were panicked by my whiskers. It
made them uneasy. And my shyness vanished completely."
He pulled his fine black whiskers affectionately and said: "Psychology is a
great thing. Unfortunately people don't know about it. Psychology should help
people discover such most helpful tricks. Life is too short to be wasted in des-
perately striving to be normal."
"Tell me," I said finally. "How did you master eating the way you have?
You never got a crumb or a drop on your beard, all through dinner."
"Nothing to it, sir," said he. "When you have a beard, you keep your eyes
on those of your dinner partner. And whenever you note his eyes fixed in horror
on your chin, you wipe it off."
23
NOTES:
1
beard – борода;
2
whiskers – бакенбарды;
3
psychology – психология.
I Find in the text English equivalents for the following words and
expressions:
не позаботился, вагон-ресторан, только я собирался сесть, чувствовал
на себе его взгляд, в самую гущу своей бороды, безбородый, внушитель-
ная; дело в том что; психологический эксперимент, смущение, занялся
психологией, защитные силы человека, прибегать к различным уловкам,
уйти от реальности, потрясающий эффект, черствые люди, бакенбарды
наводили на них панику, чувствовать себя не в своей тарелке, полностью
исчезла, отчаянно пытаясь, ничего сложного.
II Give Russian equivalents for the following words and expres-
sions from the text and use them in the sentences of your own:
face smb, glance at smb, pull oneself together, keep one's eyes on smb, be
impressed with smth, suffer from smth, read books on smth, come across, find
smth hateful, make smb do smth, be shy of doing smth, waste life (time), master
(doing) smth.
III Questions on the text:
1)
Why did the author go to the dining-car?
2)
Describe the man who was sitting opposite him.
3)
Why did the author feel ill at ease?
4)
What was it that struck the author in the manner his companion was
eating?
5)
What did the young man suffer from when he was a student?
6)
What did he read about human defence mechanisms in one of the
books on psychology?
7)
What idea occurred to him?
8)
What was the effect of his experiment?
9)
How did the young man explain to the author his careful manner of
eating?
IV Discuss the following:
1)
Is the knowledge of psychology important for a person? Why? Give
your grounds.
2)
What do you know about human defence mechanisms? In what situa-
tions are they displayed?
3)
What kind of world conditions do you consider "hateful"? What are
the ways to improve them?
4)
How do you understand the phrase "escape from the world"? When
and why do people have to do it?
24
Unit 9
LAUTISSE PAINTS AGAIN
H. A. Smith
Everybody knows by this time that we met Lautisse on board a ship, but
few people know that in the beginning, Betsy and I had no idea who he was.
At first he introduced himself as Monsieur Roland, but as we talked he
asked me a lot of questions about myself and my business and finally he asked
me if I could keep a secret and said: "I am Lautisse. "
I had no idea who he was. I told Betsy and after lunch we went up and
talked to the ship's librarian, asked him a few questions. And then we found out
that my new friend was probably the world's best living painter. The librarian
found a book with his biography and a photograph. Though the photograph was
bad, we decided that our new acquaintance was Lautisse all right. The book said
that he suddenly stopped painting at 53 and lived in a villa in Rivera. He hadn't
painted anything in a dozen years and was heard to say he would never touch the
brush again.
Well, we got to be real friends and Betsy invited him to come up to our
place for a weekend.
Lautisse arrived on the noon train Saturday, and I met him at the station.
We had promised him that we wouldn't have any people and that we wouldn't
try to talk to him about art. It wasn't very difficult since we were not very keen
on art.
I was up at seven-thirty the next morning and I remembered that I had a
job to do. Our vegetable garden had a fence around it which needed a coat of
paint. I took out a bucket half full of white paint and a brush and an old kitchen
chair. I was sitting on the chair thinking, when I heard footsteps and there stood
Lautisse. I said that I was getting ready to paint the garden fence but now that he
was up, I would stop it. He protested, then took the brush from my hand and
said, "First, I'll show you!" At that moment Betsy cried from the kitchen door
that breakfast was ready. ''No, no, " he said." No breakfast, — I will paint the
fence. "I argued with him but he wouldn't even look up from his work. Betsy
laughed and assured me that he was having a good time. He spent three hours at
it and finished the fence. He was happy the whole day. He went back to town on
the 9.10 that evening and at the station he shook my hand and said that he hadn't
enjoyed himself so much in years.
We didn't hear anything from him for about 10 days but the newspapers
learnt about the visit and came to our place. I was out but Betsy told the report-
ers everything and about the fence too. The next day the papers had quite a story
and the headlines said: LAUTISSE PAINTS AGAIN. On the same day three
men came to my place from different art galleries and offered 4.000 dollars for
the fence. I refused. The next day I was offered 25.000 and then 50.000. On the
fourth day a sculptor named Gerston came to my place. He was a friend of Lau-
tisse. He advised me to allow the Palmer Museum in New York to exhibit it for
a few weeks. He said that the gallery people were interested in the fence because
25
Lautisse had never before used a bit of white paint. I agreed. So the fence was
put in the Palmer Museum. I went down myself to have a look at it. Hundreds of
people came to see the fence, and I couldn't help laughing when I saw my fence
because it had a fence around it.
A week later Gerston telephoned me and asked to come to him. He had
something important to tell me. It turned out that Lautisse visited the exhibition
and signed all the thirty sections of my fence. "Now," said Gerston, "you have
really got something to sell." And indeed with Gerston's help, 29 of the 30 sec-
tions were sold within a month's time and the price was 10.000 each section. I
didn't want to sell the 30th section and it's hanging now in cur living-room.
I Find in the text English equivalents for the following words and
expressions:
на борту корабля, не имел понятия, в конце концов, хранить тайну,
наш новый знакомый, мы стали настоящими друзьями, огород, его надо
было покрасить, уже давно не проводил так хорошо время, заголовки гла-
сили, никогда не использовал белую краску, не мог удержаться от смеха,
оказалось, в течение месяца.
II Give Russian equivalents for the following words and expres-
sions from the text and use them in the sentences of your own:
introduce oneself, the world's best painter, be keen on smth, look up from
one's work, assure smb, hear from smb, exhibit smth, be interested in smth, sign
smth.
III Questions on the text:
1)
Where did the author and his wife meet Lautisse for the first time?
2)
Was his name known to them? What did they find out at the library?
3)
What did they promise the painter when they invited him to their
place?
4)
What kind of job did the author have to do in the morning?
5)
Who did the job in the long run? What proves that he enjoyed it?
6)
Was Lautisse's visit a kind of sensation for the reporters? Why?
7)
What effect did the newspaper articles produce?
8)
How much money was the author offered for the fence?
9)
How did the gallery people explain their deep interest in the fence?
10)
What do the author's words "the fence had a fence around it" mean?
11)
What made the fence price rise?
12)
Why did Lautisse's visit become a lucky chance for the author?
IV Discuss the following:
1)
Does advertising mean a lot in life? Prove it by the text.
2)
How did Lautisse use people's interest in his so-called "art" to prolong
his fame?
3)
Do people who visit picture galleries or collect pieces of art always
understand art? Why do they do it then?
4)
Does it often happen that a name means more than talent?
V Retell the text on the part of 1) Lautisse, 2) Betsy, 3) Gerston.
26
Unit 10
A GOOD START
Bill liked painting more than anything in life. He started painting when he
was 15 and people said that as a painter he had quite a lot of talent and had mas-
tered most of the technical requirements. At 22 he had his first one-man show
when he was discovered by the critics and his pictures were all sold out. With
the money he could afford to marry Leila, rent a studio and stop being a student.
To complete his education he went to Italy but after 5 months all the money was
spent and he had to return.
Bill never had another show like the first one, though he became a better
painter. The critics did not think him modern enough and said he was too aca-
demic. From time to time he managed to sell some of his paintings but eventual-
ly things had got very tight and he was obliged to look for a job.
The day before he went for an interview with his uncle Bill was especially
gloomy. In the morning he went up to one of his unfinished pictures in the stu-
dio but he felt he couldn't paint. He threw down his brush and a bright red spot
appeared on the board already covered with black and yellow paint from his
previous work. The board had been used to protect the floor and was at that
moment a mixture of bright colours.
When Bill left, Leila got down to cleaning the studio. She took up the
board and put it against the wall to clean the floor. At that moment Garrad, Bill's
dealer, came in. Bill had asked him to come, look at his work and arrange a
show but the dealer had for some time been uncertain on the matter. So he was
looking around the studio, explaining how the gallery was booked up for a year
and how he could not really promise Bill a show yet for two years or so.
Suddenly the board against the wall attracted his attention.
"Leila, my dear, "he exclaimed."I felt that there must be something like
this. Tell me, why is he keeping it away from us?"
Leila was too shocked to answer. But Garrad went on: "I think it's won-
derful. I never doubted Bill would catch up with the modern trends. Now Leila,
are there more pictures for a full show? I must go now but I'll be ringing him up.
I'm going to change the whole plan and show his new work in the autumn. Tell
him not to waste time. As to this one if he wants to sell it, I'll buy it myself."
Leila stayed in the studio till Bill came back. She was too excited to tell
him the story clearly and Bill could not understand anything at first. When he
realized what had happened he shook with laughter. "You didn't explain the
whole thing about the board to him, did you?" he managed to say at last.
"No, I didn't. I couldn't really, I believe I should have, but it would have
made him look too silly. I just said I didn't think you'd sell it".
What was Bill to do?
Think of your own ending.
(What was Bill to do? What a thing, he thought, to find waiting for you on
your return from taking a job at two pounds a week. He could paint more for an
27
exhibition that very evening and show them to Garrad the next day. After all,
why not use it as a start for a good painter's career?)
I Find in the text English equivalents for the following words and
Достарыңызбен бөлісу: |